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Wild Houses

By: Colin Barrett
Narrated by: Damian Gildea
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Publisher's Summary

Brought to you by Penguin.

The remarkable, funny and thrilling debut novel from the acclaimed, prize-winning author of the short story collections, Young Skins and Homesickness

As Ballina prepares for its biggest weekend of the year, the simmering feud between small-time dealer, Cillian English, and County Mayo's fraternal enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum.

When the reclusive Dev answers his door on Friday night he finds Doll - Cillian's bruised, sullen, teenage brother - in the clutches of Gabe and Sketch. Jostled by his nefarious cousins, goaded by his dead mother's dog and struck by spinning lights, Dev is unwillingly drawn headlong into the Ferdias' revenge fantasy.

Meanwhile, seventeen-year-old Nicky can't shake the feeling something bad has happened to her boyfriend Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts of her own, Nicky sets out on a feverish mission to save Doll, even as she questions her future in Ballina.

The beautifully crafted, thrillingly told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence, Wild Houses is the long-anticipated debut novel from award-winning and critically acclaimed short story writer, Colin Barrett.

©2024 Colin Barrett (P)2024 Penguin Audio

Critic Reviews

'Wild Houses is swift, tender, and honest. It's been a long time since I've been so worried, so heartbroken, so moved by a set of funny misfits. Barrett is one of our keenest observers of the miraculous amid the everyday and of the uncommon beauty of common things, the power of attention. When I finished this novel, I desperately wanted to call Dev, Doll, or Nicky, just to see if they were okay, to see if everything had turned out alright. A brilliant novel.' (Brandon Taylor)

'Vivid and wild, funny and chilling - Wild Houses is the business.' (Roddy Doyle, author of Paddy Clarke Ha Ha Ha)

'Wild Houses has a rare momentum that comes from the rhythms of the sentences, the vivid descriptions and the brilliantly chosen details. The momentum emerges also from the depth and complexity of the main characters and the wide sweep of the narrative.' (Colm Tóibín, author of Brooklyn)

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Grimy and real

Longform Young Skins in the best way. Plenty going on under the surface without hammering the reader over the head with it. I'd wonder how well this travels beyond Ireland.

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