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Two Years Eight Months and Twenty-Eight Nights
- Narrated by: Robert G Slade
- Length: 11 hrs and 25 mins
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Publisher's Summary
From one of the greatest writers of our time: a spellbinding, entertaining, wildly imaginative novel which blends history and myth with tremendous philosophical depth. A masterful, mesmerising modern tale about worlds dangerously colliding and the monsters that are unleashed when reason recedes and a beautiful testament to the power of love and humanity in chaotic times.
Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement - both very funny and terrifying. It is narrated by our descendants 1,000 years hence, looking back on 'The War of the Worlds' that began with 'the time of the strangenesses': a simple gardener begins to levitate; a baby is born with the ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth. Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learnt to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semimagical great-great-grandchildren - a small motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights - or, to be precise, two years, eight months, and 28 nights.
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- Anonymous User
- 28-10-2020
Wrong narrator for Rushdie
This was the wrong choice of narrator for this novel. The competent but ordinary delivery managed to dilute or miss the many magic moments of a Rushdie novel. The narrator would be great for a crime novel, a straightforward comedy or something less layered I'm sure, but not for this. This is the second time in as many months that I have bought a Rushdie Audible book where insufficient value has been placed on the choice of narrator. The other sounded like he was narrating down a tinny phone line, and also had a style similar to a 19th century Shakespearean. I returned that book so that I could preserve the richness of the text and read it in hard copy. Had I not done that so recently, I would have done it with this book too. Not for the first time I wonder what goes in to Audible's marrying of text and narrator. Is it based on availability and no more? Is any consideration given? Please Audible, value your Rushdie offerings more highly. Midnight's Children, The Satanic Verses, The Golden House, Quichotte - all wonderful. This one was just too watered down.
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