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Slow Motion Ghosts

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Slow Motion Ghosts

By: Jeff Noon
Narrated by: Dean Williamson
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About this listen

'Noon's storytelling is assured and compelling ... it's a belter' Guardian
‘Constantly surprising’ Spectator

A viciously occult murder.

A curious clue left on the body.

The soundtrack to the murder still playing...


_____________

It is 1981 and Detective Inspector Henry Hobbes is still reeling in the aftermath of the fire and fury of the Brixton riots. The battle lines of society - and the police force - are being redrawn on a daily basis.

With the certainties of his life already sorely tested, a brutal murder will shake his beliefs to their very core once more. The manner of the death and its staged circumstances pose many questions to which there are no obvious answers.

To track the murderer, Hobbes must cross boundaries into a subculture hidden beneath the everyday world he thought he knew. His investigation takes him into a twisted reality, which is both seductive and devastating, and asks him the one question he has been dreading: How far will he go in pursuit of the truth?


Jeff Noon is the author of six acclaimed novels, Vurt, Pollen, Automated Alice, Nymphomation, Needle in the Groove and Falling Out of Cars, as well as two collections of short fictions, and is also the crime fiction reviewer for The Spectator. He lives in Brighton.

©2019 Jeff Noon (P)2019 Random House Audiobooks
Crime Fiction Mystery Fiction Suspense

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Revisiting themes of love, loss and communion

I thoroughly enjoyed this, the hard boiled chandler references are almost a sleight of hand, included as a formality of the genre rather than an apolitical kow towing to some dead writers genius.

I was taken in by Vurt, in its own way it established a beachhead in my soul and I’ve been waiting a very long time to see Jeff Noon deliver on its promises. Pixel Juice meandered, Automated Alice list itself in some fashionable (at the time) non linear narrative but Vurt was the goods.

Echoes of loss permeate Slow Motion Ghosts, as it weaves an engrossing somewhat psychotic “emo” tragedy, with a sophisticated empathy response to the tragedy of middle age experienced by a man whose given his life to the “job” and still believes he can do some good. In this it holds a remarkable balance and maturity of comprehension. This is not the book of a young writer.

I miss Vurt, and I’m glad I decided to follow Jeff Noon, enough to see into some of his other places. Noon kinda disappeared for a while and he seems to have found his voice again. He’s no longer flavour of the month, he’s solid now. He feels corporeal again. Unlike many older people, he hasn’t forgotten what he wanted to say when he was younger, now he has the skills and the ability to talk that tale and produce a good page turner as he does so. In many respects this one has far more depth than they usually do.

That was always Jeff Noons compelling skill, constantly adding layers which rely on the reader to unravel, deliberately placed easily missed, places to catch the meandering mind and take it by the hand and set it back into the path.

I miss the Game Cat, Scribble, General Hobart and the hauntings of the Vurt but I’m so pleased to have met Hobbes, King Lost and Edenville. I hope Noon gets to write a lot more because it feels to me that he has another great book inside him waiting to get out. Now I know what took me into the Vurt and why I’ve waited so patiently for him to come to fruition.

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