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Rhapsody

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Rhapsody

By: Mitchell James Kaplan
Narrated by: Tavia Gilbert
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About this listen

“[A] shining rendition of Swift and Gershwin’s star-crossed love.” (Therese Anne Fowler, New York Times best-selling author)

In the vein of the New York Times best seller Loving Frank, this fascinating and compelling novel “will have you humming, toe-tapping, and singing along with every turn of the page” (Kate Quinn, New York Times bestselling author) as it explores the decade-long relationship between the celebrated composer George Gershwin and gifted musician Katharine “Kay” Swift.

When Katharine “Kay” Swift - the restless but loyal society wife of wealthy banker James Warburg and a serious pianist who longs for recognition - attends a performance of Rhapsody in Blue by a brilliant, elusive young musical genius named George Gershwin, her world is turned upside down. Transfixed, she’s helpless to resist the magnetic pull of George’s talent, charm, and swagger. Their 10-year love affair, complicated by her conflicted loyalty to her husband and the twists and turns of her own musical career, ends only with George’s death from a brain tumor at the age of 38.

Set in Jazz Age New York City, this stunning work of fiction explores the timeless bond between two brilliant, strong-willed artists. George Gershwin left behind not just a body of work unmatched in popular musical history, but a woman who loved him with all her heart, knowing all the while that he belonged not to her, but to the world.

©2021 Mitchell James Kaplan. All rights reserved. (P)2021 Simon & Schuster, Inc. All rights reserved.
Biographical Fiction Fiction Literary Fiction Celebrity Marriage Musician Career Heartfelt

Critic Reviews

"Gilbert dramatizes Katherine's development into jazz musician Kay Swift, who wrote the jazz standard 'Fine and Dandy.' Gilbert excels at conjuring two worlds; for example, she contrasts the snide titters of an upper-crust society gathering with the genuine laughs of a down-to-earth Harlem party. Gilbert's vocal variety captures secondary characters as well: the raspy-voice of stride pianist Luckey Roberts, the rolling 'r's' of Mrs. Vanderbilt Belmont, the quiet murmurs of maids, and an angry priest's diatribe on the merits of Prohibition." (AudioFile Magazine)

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