Pictures at an Exhibition
Failed to add items
Add to basket failed.
Add to Wish List failed.
Remove from Wish List failed.
Follow podcast failed
Unfollow podcast failed
Buy Now for $26.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Mark Bramhall
-
By:
-
Sara Houghteling
About this listen
Set in a Paris darkened by World War II, Sara Houghteling’s sweeping and sensuous debut novel tells the story of a son’s quest to recover his family’s lost masterpieces, looted by the Nazis during the occupation.
Born to an art dealer and his pianist wife, Max Berenzon is forbidden from entering the family business for reasons he cannot understand. He reluctantly attends medical school, reserving his true passion for his father’s beautiful and brilliant gallery assistant, Rose Clément. When Paris falls to the Nazis, the Berenzons survive in hiding. They return in 1944 to find that their priceless collection has vanished. Madly driven to recover his father’s paintings, Max navigates a torn city of corrupt art dealers, black marketers, Résistants, and collaborators. His quest will reveal the tragic disappearance of his closest friend, the heroism of his lost love, and the truth behind a devastating family secret.
Written with tense drama and a historian’s eye for detail, Houghteling’s novel draws on the real-life stories of France’s preeminent art-dealing familes and the forgotten biography of the only French woman to work as a double agent inside the Nazis’ looted art stronghold.
©2009 Sara Houghteling (P)2009 Random House AudioCritic Reviews
“[An] ambitious and satisfying debut novel. . . . Houghteling dazzlingly recreates the horrors of war, and it’s the small, smart details . . . that make one uncommon family’s suffering all the more powerful.”–Publishers Weekly
“Houghteling’s vivid descriptions of paintings and their power add to the allure of this impressive debut novel.”–Michael Leber, Booklist
“Exciting . . . Houghteling has immersed herself in the history of the period, and her love of these paintings shines through.”–Kirkus Reviews