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Miss Hilversham and the Pesky Duke
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Narrated by:
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Ella Lynch
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By:
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Sofi Laporte
About this listen
A strict schoolmistress. A degenerate duke. One house standing between them.
Weary of his decadent life, the wicked Duke of Rochford arrives in Bath with every intent to turn over a new leaf. But when the prim, meddling, feisty headmistress of the neighboring school unleashes her outspoken opposition to Marcus’s presence, he decides to turn his new house into a gambling den, if only to vex her.
Miss Eleonore Hilversham, headmistress of the Seminary for Young Ladies in Bath, has one aim in life: to run the most exclusive school in all of England. When she discovers that the property she needs has been snitched from right under her nose, she vows to get rid of the new owner, even if he is a powerful duke.
When tragedy strikes at the height of their conflict, both unveil facets of themselves that they have hitherto managed to hide. What heartbreak does Miss Hilversham harbor, and is the wicked duke really that wicked?
Can love prevail and triumph over clashing goals and personalities?
©2022 Sofi Laporte (P)2024 Lapuerta PublishingWhat listeners say about Miss Hilversham and the Pesky Duke
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- The Reading Room
- 22-02-2025
Good story, nice to have the background for other stories in the series.
Narrator generally does this series well, but the tone of voice chosen for the hero robbed this one of its potential level of charm. Given the setting in an elite girls school, with a perfectionistic headmistress, it was ironic that there was so much bad grammar within the writing - aside from the many misplaced prepositions, the author frequently created new versions of various nouns. For example, audaciousness (instead of audacity); solicitousness (rather than solicitude). I’ve noticed that a number of US- based writers do this, in addition to inserting modern American words and vernacular into the dialogue. The genre usually sets its story in 19th century England, where people might have a suitor, but not a ‘beau’, with whom they might walk along the footpath, because there aren’t any ‘sidewalks’ in London. The suitor might bring his lady some sweets, but he wouldn’t call it ‘candy’, and during their walk, he might seek to drive away insects rude enough to bother them, but neither would refer to the pests as ‘bugs’. Georgette Heyer remains a queen of this genre because she can make characters sound lively and interesting even though they use good grammar when speaking to one another.
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