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Lords of Uncreation

The Final Architecture Book 3

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Lords of Uncreation

By: Adrian Tchaikovsky
Narrated by: Sophie Aldred
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About this listen

From Adrian Tchaikovsky, author of Children of Time and winner of the Arthur C. Clarke Award, Lords of Uncreation is the final high-octane instalment in the Final Architecture space opera trilogy.

He's found a way to end their war, but will humanity survive to see it?

Idris Telemmier has uncovered a secret that changes everything – the Architects’ greatest weakness. A shadowy Cartel scrambles to turn his discovery into a weapon against these alien destroyers of worlds. But between them and victory stands self-interest. The galaxy’s great powers would rather pursue their own agendas than stand together against this shared terror.

Human and inhuman interests wrestle to control Idris’ discovery, as the galaxy erupts into a mutually destructive and self-defeating war. The other great obstacle to striking against their alien threat is Idris himself. He knows that the Architects, despite their power, are merely tools of a higher intelligence.

Deep within unspace, where time moves differently, and reality isn’t quite what it seems, their masters are the true threat. Masters who are just becoming aware of humanity’s daring – and taking steps to exterminate this annoyance forever.

Praise for Adrian Tchaikovsky:

‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini

‘[Adrian] writes incredibly enjoyable sci-fi, full of life and ideas’ – Patrick Ness, author of The Knife of Never Letting Go

‘Brilliant science fiction’ – James McAvoy on Children of Time

‘Full of sparkling, speculative invention’ – Stephen Baxter, author of the Xeelee Sequence on The Doors of Eden

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2023 Adrian Tchaikovsky (P)2023 Macmillan Publishers International Limited
First Contact Science Fiction Space Opera Fiction War Interstellar

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I had to listen to all three books before deciding how I felt about it.

I found it compelling enough to have to listen to all three books before I could judge it. In that sense I’m sure the publishers happy. I felt like the editor didn’t do their job properly and that the prosaic repetition was extremely annoying.

A science fiction series in the vein of Asimov or Clarke that attempts to utilise known science and create a scenario that is compelling. Babylon five was more convincing but on the positive many of Tchaikovsky characters are extremely charming.

It’s a real mixed bag as far as series novels go. The overall arch, drowned in verbiage rather than skilled writing contrasted with a physics of quite a compelling universe and institutions, races etc

Everyone turns out to be a good guy so it lacks actual tooth in a Frank Herbert sense (Dune where bad people are really bad people and Machiavellian politics are really nasty). This just doesn't carry it off.

by the end, I feel disappointed by this work. It never really had a foot in any reality I recognise fictional or not. It has so many and then they woke up moments and the disasters were formulaic and perennial. Paced to a metronome, You always knew the heroes would survive and that some new badness would rise up the moment they were clear. it was almost tedium in places.

It’s a Penny dreadful, a good pot boiler but I suspect it will fade from the shelves within a decade. It doesn’t haunt the imagination like Jeff Noons, Vurt, or charm you with its stupid machismo like Larsons undying mercenaries. If you’ve nothing better then it’s good, but it’s not great writing and it’s not the stainless steel rat the writing lacks personality. it feels like what an ai might think is a good novel rather than the vision of an obsessed science fiction buff with an encyclopaedic knowledge of their own imagination. .That's whats bothering me about this work. it had no author personality shining through. it was pure marketing, formula and attempts at being clever.

I prefer Tamsyn Muir because she makes you work for comprehending WTAF us going on. This was as equally confused, but laid out on a plate with sugar at every twist. I'd already predicted the end in no small part half way through book two.

He does build some compelling characters but doesn't really take risks with them. Not bad, not great… Disappointed as I'd read some glowing descriptions of this series.

This is kids science fiction, written for an audience that have no or low expectations.

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