Lazybones cover art

Lazybones

Tom Thorne, Book 3

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Lazybones

By: Mark Billingham
Narrated by: Robert Glenister
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About this listen

Someone - a woman, or somebody pretending to be a woman - is writing to convicted rapists in prison, befriending them and then brutally killing them when they are released.
DI Tom Thorne must discover the link between these killings and a murder/suicide that took place twenty-five years before; a tragedy to which the only witnesses were two small children, now adults and nowhere to be found...

How can you escape a past that will do a lot more than just catch up with you?
And how can Thorne catch a killer, when he doesn't really care about the victims?©2003 Mark Billingham (P)2006 Time Warner AudioBooks
Modern Detectives Mystery Mystery, Thriller & Suspense Police Procedural Psychological Thriller & Suspense Fiction Suspense

Critic Reviews

"For those who have not yet come across the implacable D.I. Thorne and his team, treat yourself. You won't be disappointed." (Sunday Express)

What listeners say about Lazybones

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  • Overall
    4 out of 5 stars
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Best in the Thorn series yet

I’ve been looking forward to this book because I love Robert Glenisters narration - didn’t disappoint!
The book is a little moodier and darker… the suspense ratcheted up.
My only complaint is the use of musical stings to bridge the passages. Every time they were edited in it created a huge disconnect. It’s an audio book and I want to immerse myself into the story.
So, to the producers: please don’t insert these annoying stings. I just want to hear a brilliant story read by a first class voice artist.

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Do not waste your money on abridged books

The story was probably a good one, originally. The bones are there, but the unkind editing rendered it firstly haphazard, then blindingly obvious whodunnit.
Considering the price for unabridged is exactly the same as abridged, I will not consider any further chopped novels.
Narration was mostly excellent (although I do wish Me Glenister would lose the habit of mispronouncing "Denise" as De knees), and as previously stated in other reviews of this author, the scene-change music is loud, jarring, and horrible.

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