Hallowe’en Party cover art

Hallowe’en Party

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Hallowe’en Party

By: Agatha Christie
Narrated by: Hugh Fraser
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About this listen

A classic Christie mystery. Read by Hugh Fraser who plays Hugh Fraser in the popular TV series. At a Hallowe’en party, Joyce – a hostile thirteen-year-old – boasts that she once witnessed a murder. When no-one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub. That night, Hercule Poirot is called in to find the ‘evil presence’. But first he must establish whether he is looking for a murderer or a double-murderer…

©2008 Agatha Christie (P)2011 HarperCollins Publishers Limited
Crime Thrillers Detective Fiction Thriller Traditional Detectives Mystery

Critic Reviews

"A thundering success… a triumph for Hercule Poirot" (Daily Mirror)

What listeners say about Hallowe’en Party

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Snappy Dragons & Narracist

I found Mrs Oliver somewhat irritating. Hugh was his best as usual. Agatha s story good .

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1 person found this helpful

  • Overall
    4 out of 5 stars
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Fun and enjoyable

At times I felt that this had an air of Enid Blyton meets JK Rowling. I have never listened to any Agatha Christie books before. I can see why these books have been so popular.

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars

One of Christie's best works.

Decided to pick this up because of the new movie -- the movie is NOT AT ALL LIKE THE BOOK + the book is heaps better.

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars

I didn't see it coming!

I was so convinced that I knew the murderer. Great themes of greed and mystery, as per usual! Hugh Fraser is like a friend now, his performances are always so excellent.

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  • Overall
    4 out of 5 stars
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Only listen to because of movie

I only listen to it because of A Haunting In Venice. The book and the movie are so different. I did not see it coming. I would highly recommend.

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  • Overall
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Very Dull Story

Not one of Christie’s best, a plodding drama with uninteresting characters that progresses at a snail’s pace. Hugh Fraser does his best with dull material, but it isn’t enough to save it.

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