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Great Masters: Robert and Clara Schumann - Their Lives and Music

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Great Masters: Robert and Clara Schumann - Their Lives and Music

By: Robert Greenberg, The Great Courses
Narrated by: Robert Greenberg
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About this listen

In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself.

This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple and the musical legacy left to us in spite of the difficulties that dogged their marriage. Though a loving one that produced eight children, their partnership also had to withstand the pressures of raising those children, managing two careers, and overcoming the tensions posed by Robert-an emotionally unstable man who alternated between manic bouts of awesome creativity and terrifying fits of depression, exacerbating the worsening effects of the syphilis that would eventually kill him. His death left Clara to not only raise the children but also to support the family through an exhausting schedule of concertizing.Despite his ill health, Robert still left behind a magnificent legacy of compositions and insights into music that you explore in these lectures-a legacy that included his return to criticism so he could introduce to the world a then-unknown Johannes Brahms.

PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.

©2002 The Teaching Company, LLC (P)2002 The Great Courses
Biographies & Memoirs Music

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Robert and Clara Schumann

Another highly entertaining and informative insight into the life and work of composers. The narration adds the human component to the general skeletal outlines of great artists. Of particular interest is the challenge to generally held perceptions of critics and writers leaving the audience with a far more wholistic picture of the subject.

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