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Fatal Proof
- Benson and De Vere, Book 4
- Narrated by: Daniel Weyman
- Length: 9 hrs and 24 mins
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Publisher's Summary
'These Benson and de Vere stories are unputdownable... A five star bravura performance. This writer gets better and better' A.N. Wilson
The Hither Green murder...
William Benson knows what it's like to be accused of something you didn't do - the fear, the vulnerability and the nightmare of watching your life unravel. Now he speaks on behalf of those who have no voice, defending anyone who claims to be innocent. This time, it's Karmen Naylor, estranged daughter of a south London crime boss, fighting a murder charge and desperate to be believed. But Benson becomes trapped into a grudge match between two rival clans, endangering himself and those he loves.
Tess de Vere is by Benson's side but she's keeping something from him. A stranger on the trail of a secret death squad operating in Northern Ireland during the Troubles brings a terrible secret into the heart of her own life. And he won't go away.
Can Tess and Will find their way through all the secrets and the lies? Should justice always be served - and if so, at what cost?
'The courtroom scenes are brilliant, and Benson really comes alive under pressure. Stubborn, fitful and contradictory, he's a highly individualised creation' Spectator
'Punchy dialogue and devious plotlines . . . compelling' The Times
What listeners say about Fatal Proof
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- michele taylor
- 07-02-2023
Clever Legal Thriller
This is book 3 in the series. Wonderful engaging and very, very twisty, clever book. Great narration. Can’t wait for a book 4.
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Performance
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- finnea
- 17-02-2023
Top marks for plot but De Vere gets annoying
i have to say this series is very high quality. Great plotting, lots of twists and turns -- and meaty characters.
The unrequited love between Benson and De Vere goes on but i found myself getting irritated with De Vere's evasiveness and the sanctimonious entitlement of her family. Still, the level of plotting around her story takes this beyond the familiar trope of partners unable to admit their feelings.
Good writing, good reading.
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