Deleted: Jackson and Maggie
The Cliffside Bay Series, Book 2
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Narrated by:
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Amanda McKibbin
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Craig A. Hart
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By:
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Tess Thompson
About this listen
His heart broke when she died. Her life was robbed by loss. Betrayed by a mountain of lies, can two lost souls rebuild their stolen romance?
Jackson Waller thought fulfilling his dream would set him free. Despite his excitement to be taking over his father’s practice, the thoughtful young doctor never moved on from the demise of his high school sweetheart. So he’s shocked when he visits her grave a decade later, only to find his first love has returned to town very much alive.
Maggie Keene will never forgive her dad. Unable to prove the despicable man killed her mom, she fled her hometown at age 18 to pursue singing and dancing in New York. But when she returns to the quiet seaside town and challenges the ailing brute on his deathbed, she’s furious when he confesses that he faked her death.
Thrown into a spin by the hope of another shot with his soul mate, Jackson realizes he can’t settle for any other woman...which confronts him with a painful decision. And finally ready to put the tragic past behind her and rush into her true love’s arms, Maggie is unnerved to discover her father still holds one more appalling secret...Can the wounded couple restore justice and mend their shattered lives back together?
Deleted: Jackson and Maggie is the second standalone book in the sweet Cliffside Bay romance series. If you like stories of starting over, small-town settings, and jaw-dropping twists, then you’ll adore Tess Thompson’s scandal-filled tale.
©2020 Tess Thompson (P)2020 Blackstone PublishingWhat listeners say about Deleted: Jackson and Maggie
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Raye Chill
- 04-11-2021
He said, she said...
The overall concept of the storyline showed potential and it was at times predictable and contrived. The antagonists could have been stronger and thus create tension and empathy from the audience. I also wish the author knew other words for said. He said. She said. So and so said. The narrators were OK. I felt they lacked a variety of tone and inflection and were often monotone sounding, which made listening tedious. Did the sound engineers listen to this during production? A pause after an obvious full stop in the text would have helped the flow and shift between the action and mood in the paragraphs.
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