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Braking Day

By: Adam Oyebanji
Narrated by: Ariyan Kassam
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Publisher's Summary

A riveting story for anyone who has ever looked up at the stars and dreamed of humanity's journey to them, and wondered what it might look when we get there.

Interstellar Vehicle Archimedes has been hurtling through space for more than five generations, an oasis of heat and light in the middle of absolutely nowhere. But now the ageing starship is preparing to brake, for it is arriving at Destination Star: Tau Ceti, the new home for the space-born descendants of the First Crew.

For trainee engineer Ravinder MacLeod, the world he knows is coming to an end. Once Archimedes succumbs to the gravitational pull of the Destination Star and its (hopefully) habitable planet, there will be no going back—or anywhere else. As Braking Day approaches, Ravi finds himself caught between the rigid requirements of the officer class to which he aspires and his blue-collar, ne'er-do-well family. Unfortunately for Ravi, Boz, his brilliant ex-con cousin, seems determined to make his life difficult—not least by her experiments with forbidden technology.

Then Ravi is assigned to routine maintenance deep in the massive engines of the Archimedes, where, alone and out of contact, he comes face to face with something impossible—mind-breakingly impossible.

Plagued by nightmares and visions and worried that his grip on reality is slipping, Ravi turns to Boz for help. Their search for answers takes them to the jagged place where the ship's future intersects with its long past. For not everyone is excited to be reaching journey's end and the ghosts of the First Crew may not have been fully laid to rest.

©2022 Adam Oyebanji (P)2022 Quercus Editions Limited

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Fun story, strong characters, some disappointments

I enjoyed this book a lot, both in its story and in its narration. Oyebanji has crafted an interesting and persuasive world, and he has given deep and thoughtful attention to what might actually happen to people in their generation ships, the evolutions of these little micro-societies, the way that mission and culture can diverge. The experience of the socioeconomically marginalised is strongly presented here; the characters are interesting, flawed, and with some exceptions have enough depth and nuance to be compelling and complex.

Similarly, the narration by Kassam is, overall, a good fit for the story. His voice and accent really suits a society where historical ethnic divisions have collapsed into a melange, where the traditional faces and voices of White Guy Sci-Fi face into the crowd.

However, Kassam's occasional mispronounciations were both confusing and distracting at times, especially where he misjudges the cadence and rhythm of phrases and sentences, badly fumbling emphasis and stress. This didn't happen often, but it happened just enough to be bothersome.

Similarly, with the story, I was enjoying being swept into an action mystery, and was disappointed by the resolution of the plot, where so many tantalising threads and hinted complications of history were simply ignored and left dangling, unpursued. It seems to me that Oyebanji had set out to write a much more ambitious, much deeper mystery, and for whatever reason had had to wrap up his story into a much smaller, much less neat climax with a whole bunch of loose threads left behind. I really, really want to read the story that Ojenanji _intended_ to write; those dangling, unattended-to little mysteries that our heroes left behind in their wake kept me waiting for twists and revelations that never came.

Both the story and the narration are flawed, just enough to distract me a little from my enjoyment of both, but not so much that I won't be looking forward to more work from both of these names.

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