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With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence and, most of all, Babitz's diary-like letters, as the key to unlocking Didion. Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression, her marriage to John Gregory Dunne as tortured as it was enduring. It was also the breaking and then the remaking - and thus the true making - of another great American writer: Eve Babitz.

Amid the heralded springtime traditions and fabulous splendor of the Kentucky Derby, two Boston couples—longtime friends—indulge in a once-in-a-lifetime getaway. The weekend feels like a winner. It’s a milestone-birthday present for the newly—and reluctantly—turned forty Drew Starling. Her husband, Nate, has spared no expense…despite the mounting gambling debts that Drew knows nothing about. He’s certain that with his lucky charm, Drew, by his side, he can reverse his misfortunes at Churchill Downs.

Since Bailey Rae Rigby’s adoptive aunt Winnie passed, Bent Oak, South Carolina, doesn’t have much of a hold on her anymore. So it seems. Bailey Rae aims to settle the small estate and, armed with her aunt’s inspiring personal cookbook, buy a food truck with an ocean view in Myrtle Beach. Everything goes awry when a distraught young mother arrives in town clutching a copy of that same cookbook. Embedded inside is a code that promises a safe place in Bent Oak for desperate women on the run. For Bailey Rae it opens up a world of questions.

Spending summer away from home for the first time, fifteen-year-old Wren Stone and her younger sister, Sylvie, arrive at Five Oaks, their grandparents’ Arkansas lake house. As it was for their grandmother and mother before them, it’s a place for coming of age, first love, triumphs and failures, and keeping secrets. This year, it’s Wren’s end-of-girlhood season. And Sylvie vows to keep all her secrets: Wren slipping away in the middle of the night, the boy on the dock, racing with him on the dark back roads, and slipping quietly into bed before dawn, carrying the scent of adventure.

Ginny Pickering Boyden can’t wait for her last day of work, when she’ll be free to pursue a lifelong ambition through a master gardener apprenticeship. But an unexpected letter brings shocking news: Ginny has inherited her family’s Christmas tree farm, a dream she’d long ago given up.

Drawing on the same lyrical prose and strong sense of place that distinguished his award-winning first novel, One Foot in Eden, Ron Rash has written a book about the deepest human themes: the love of the land, the hold of the dead on the living, and the need to dive beneath the surface to arrive at a deeper truth. Saints at the River confirms the arrival of one of today's most gifted storytellers.

Dr. Ana Maria Ross Gutierrez runs a clinic near the Texas-Mexico border, taking care of those who've crossed into the United States illegally. Ana was once married to Peter Ross, but his decision to join the border patrol drove her to divorce him—despite Peter's continuing feelings for her and his conviction that he's protecting the desperate immigrants in his own way. Now, as hostility and hatred heat up in El Paso, Ana, Peter, and a young mother are entangled in danger and violence that threaten them all.

Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction.

I'm Noah Carter, and this is my confession. My story is one of vengeance that twisted into a love I never saw coming. My target? Baron Hunt, the man whose ruthlessness shattered my family. The plan was simple: seduce his daughter Stella to force her father's hand, making him pay for his past transgressions. She became an unwitting pawn in a game of retribution that was supposed to end with my victory. Instead, I realized that the heart doesn't follow the rules of revenge.

Since Archie Weller was runner-up for the first Vogel Award in 1980 for his novel The Day of the Dog, he has become an important voice in contemporary Indigenous writing. The Window Seat is a collection of his best fiction and a tribute to his contribution to Australian literature.

This collection shows Jack at his earnest, soulful best. The writing is consistently and wonderfully Kerouacian: it is honest, reflective, heartfelt, and revealing, with great characterizations amid his self-exploration as he wrestles with his consciousness, desperate for belief.

Cassie O'Malley is on the run. In a few months, her inheritance will kick in. Until then, she just needs a job and a place to stay under the radar. But when Cassie gets off the bus in north Texas and runs smack into the town sheriff, she quickly does the first thing she can think of—approach the handsome stranger in the café and pretend to be a couple. Luckily, the sheriff believes it, and the man surprisingly plays along—all the way up to the courthouse, where the officer insists on escorting them to get married.

Mira Salvi has the perfect life—a job she loves, a fiancé everyone adores, and the secure future she’s always imagined for herself. Really, she hasn’t a thing to complain about, not even when she has to go on her engagement trip to New York alone. While playing tourist in the city, Mira chances upon a lost ring, and her social media post to locate its owner goes viral. With everyone trying to claim the ring, only one person seems to want to find its owner as badly as Mira does: journalist Krish Hale.

In Ed Park’s utterly original collection, An Oral History of Atlantis, characters question the fleetingness of youth and art, reckon with the consequences of the everyday, and find solace in the absurd, the beautiful, and the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Murphy knows Bones didn't hesitate to give his life to stop the evil perpetuated by his brother, but there's still work to be done. Though Frank is gone, his organization is not, and almost even before Bones's funeral in Arlington is complete, Murph receives a call that the three daughters of presidential hopeful Aaron Ashley have been taken and there are no leads. The girls' lives on the line and time is of the essence. But Murphy has never done this without Bones.

Chinese herbalist Chryssy Hua Williams never actually believed in the Hua family curse. In this day and age? It seemed impossible that she—like every woman in the family—would be doomed to a terrible love life. But after Break-Up #9, Chryssy stopped laughing. Now she and her aunties run a special healing retreat center for the broken-hearted. After all, there’s nothing a proper cup of herbal tea can’t fix . . .

They call her many things. Witch, Nagual Warrior, lady, Pantera. And after defeating the Obsidian Butterfly, Leonora carries a new title: Godslayer. Peace in Mexico City is fragile. Rebellion brews in the North, and when the people’s safety is at risk, Pantera must once again become the demure viceregent Leonora to stop a war before it begins. But her friends are scattered, Tezca is gone, and one wrong move could seal her fate. Caution is her ally, for the real Prince of Asturias—her former betrothed—has arrived at court, reigniting rumors: Leonora and Pantera are one.

Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy—no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.