Coming Soon

England, 1685. Decades after the end of the civil war, the country is once again divided when Charles II's illegitimate son, the Protestant Duke of Monmouth, arrives in Dorset to incite rebellion against his Catholic uncle. Armed only with pitchforks, Monmouth's army is quickly defeated by King James II's superior forces and charged with high treason. Those found guilty will be hanged, drawn and quartered. As Dorset braces for carnage, the redoubtable Lady Jayne Harrier and a small group of trusted allies contrive ways to save men from the gallows.

March, 1605. Country doctor and former ship surgeon Gabriel Taverner is ready for his next adventure. He can't wait to leave Devon and tend to the crew of the Luipaard while sailing the Eastern seas. As years pass by, Gabriel's family and friends back home are struggling with his substitute physician. Doctor Maudsley Cheverell turned out to be as incompetent as they come and unpleasant at best. So when he is found dead in a ditch one day, no one seems to be too surprised. Only, when examining the body, it seems like Cheverell was tortured using a specific method from the East . . .

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

When Beatrice’s husband Hugh returns from his excursion to the New World, he is not alone. Accompanying him are an unnamed pregnant woman, and an enormous painted globe. No one will explain who Hugh’s mysterious female house guest is. Meanwhile, Beatrice's resentment of the globe grows. To her, it represents a world that belongs entirely to her husband – a world where she will never belong. Then at night, the great hulking globe begins to turn. Terrifying new illustrations appear on its face – and when a chain of untimely deaths ensues, Beatrice is sure the drawings are connected.

The first in a brilliantly exciting new historical crime thriller series set at the time of Elizabeth I, from a No.1 Sunday Times bestselling author. Perfect for fans of Wolf Hall and the Shardlake series.

August, 1558. As London is bustling with growing trade from foreign lands, and Queen Mary's health is once again a hot topic, Jack Blackjack has much to keep him busy. And that's before his new tenant - a Dutch merchant - disappears under a cloud of suspicion, quickly presumed murdered, and Jack's latest female companion's body is found mere streets from her dwelling place.

There's only one thing notorious thief Lyta loves more than a big score: her little brother, Kit. But when Kit is arrested for producing seditious pamphlets, he stands to lose not only his printing press, but possibly his life. In exchange for her brother's freedom, Lyta strikes a daring bargain with the king -she will steal the infamous Book of Gold: a mysterious manuscript reputed to be hiding vast magical power within.

PASSION, MENSONGES, TRAHISONS, DUELS, MEURTRES : UN EXCELLENT ROMAN DE CAPE ET D'ÉPÉE ! Paris, une nuit de février 1578. Six ans ont passé depuis le massacre de la Saint-Barthélémy. Dans une ruelle sombre des abords de la Bastille, Bussy d'Amboise, gentilhomme courageux et loyal, tombe dans l'embuscade que les mignons du roi Henri III lui ont tendue. Seul contre cinq, il ne doit la vie sauve qu'à l'intervention providentielle d'une belle inconnue blonde comme un ange : Diane de Méridor.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.