Editor Rachel, Moby-Dick, 24 hrs 49 mins:

In thinking about my longest listen, I realized how much of a weirdo I am when it comes to my listening habits. Sometimes I lose steam in the middle of a long read or listen, and I love switching between the two formats to break it up and push me forward. (This doesn't have to be a luxury—I use an Audible credit to download the audio, and borrow the book from my local library.) But another way I love doing long listens is to take something I read long ago and re-experience it as spoken word. A few years ago I did this with my favorite book of all time, Moby-Dick. With the contours of the story already mapped out in my mind, new details jumped out to surprise and delight me. Ishmael was funnier than I remembered! Starbuck more dramatic! Queequeg more charming! Ahab more eeeeevil! The entire experience gave me tingles. Rather than taking it down in one big gulp, I listened to a few chapters here and there between other listens, which was just right.

Editor Aaron, Steve Jobs, 25 hrs 3 mins:

I'm not really a long-listen kinda guy. I wouldn't say I have a short attention span, but if I've been listening to a title for a long time, I often realize that I stopped paying attention at some point and need to rewind a solid 40 minutes back. So I was a little hesitant to start a listen that had more hours to it than an entire day, but there's something so magical about this biography that I finished it over the course of just a few days. I can't tell whether it's the narration, the pacing, or just how fascinating Steve Jobs's life was—maybe it’s all three—but even if you’re like me and bristle at the idea of taking a chance on anything longer than eight hours, I think Walter Isaacson's Steve Jobs might help you realize that you’ve got a lot more listening stamina than you think.

Editor Tricia, The Covenant of Water, 31 hrs 16 mins:

Abraham Verghese is a phenomenon—how can such a seemingly mild-mannered physician also be a brilliant writer and storyteller? And he kind of broke all the rules with The Covenant of Water—some might say it had been too long since his last book, Cutting for Stone, was published in 2009. Others might balk that, at 31+ hours, the novel is just too long, plus it’s narrated by the author, not a professional voice actor. Who would want to listen to that? Well, me and thousands of other listeners, that’s who. Oprah’s endorsement didn’t hurt, of course. I think Oprah and all of us were lucky to discover this absolute gem of an epic—it’s full of heart, history, and characters that feel as real as the people you know and love. I’m eternally grateful to have Verghese’s voice so gently yet permanently etched into my imagination. Listening was an entertaining, edifying, and soul-quenching experience—a wonderful way to spend 31+ hours.

Editor Sam, The Goldfinch, 32 hrs 25 mins:

Technically speaking, I think Stephen King's It is my actual longest listen ever. (I take my annual listening goal VERY seriously, as you can see. I’m also a blast at parties.) But The Goldfinch is by far my most memorable. I had just started my new gig as an Audible editor, and although I was already deep into listening by that point, the thought of anything over 12 hours still made me sweat. But my colleagues highly recommended this one, so I cautiously decided to give it a try. The last thing I expected was to feel like a 32-hour listen went by too fast, but that’s exactly what happened. That December, I listened on my way to work, at work (shh…), while gift shopping, and in those precious few moments I could find a little solitude and quiet that holiday season. I think that’s when it really clicked that there was nothing to fear about a longer runtime. If the story and the narrator are strong enough—and David Pittu, you are still my favorite—I’ll find as many reasons to listen as I can, making even the longest listen feel far too short.

Editor Emily, A Little Life, 32 hrs 51 mins:

It may be called A Little Life, but it’s a loooonnnnggggg listen, and not only is this the longest title I’ve listened to, it’s also the saddest. But don’t let this intimidate you; I would willingly sob and blubber my way through this all over again for the beautiful experience of listening to Yanigahara’s breathtaking portrait of friendship, love, trauma, and tragedy. The story of a group of friends from college, this is a four-lane bildungsroman. Each of the young men have their own demons and dreams, but it’s Jude whose life story draws you in and breaks your heart over and over again. You’ll miss them all when you come to the end, but you won’t be alone. If you listen carefully you’ll hear narrator Oliver Wyman—whose brave and stoic performance is truly one for the ages—trying to hold back tears.

Editor Sean, Dark Age, 33 hrs 58 mins:

The latest in the Red Rising series speeds along despite the 33-hour runtime. While the scope is sprawling, the story isn’t; it remains tightly wound, and there’s just something spectacular about the main character, Darrow. Heroic but flawed, brave but impatient, altruistic but alienated, he serves as the focal point of the narrative with other characters orbiting him in varying distances like moons to a planet. Occasionally, the secondary characters and their excellent narrators steal the shine from Darrow in deeply resonant ways (I’m looking at you, Ephraim), but as the story moves further away from Darrow’s perspective, it also expands in terms of the impact—returning to him to align all the stars just before they might spiral out into the vacuum of space. Which, by the way, is exactly where the book’s Big Bad comes from—and he’s a monster fit to face a living legend like Darrow. I’m hoping for another 30+ hours with this cast of characters whenever the next title in the series graces our libraries. In the meantime, if you haven’t given Red Rising a try, you’re missing out on one of the most important sci-fi series ever—and with just over 114 hours of existing listening awaiting you, there’s no better time to dig in.

Editor Haley, Anna Karenina, 35 hrs 35 mins:

Like many Russian classics, the enduring literary prestige and literal bulk of Anna Karenina can make approaching this story feel intimidating at first. But from its iconic opening line (“Happy families are all alike; every unhappy family is unhappy in its own way”), this novel cradles you in the universality of its themes and never lets you down. Not only does the plot revolve around an extramarital affair that speeds along with soap-opera pacing, Tolstoy’s unforgettable characters captivate as their expansive ways of thinking tragically collide with the confinement of their times. Plus, any prior notions you might have of Russian literature being as dry as it is dense are tossed out the window by Maggie Gyllenhaal’s stellar narration. She grounds listeners in the profound wisdom and pastoral ways of Levin, who serves as a conduit between the novel and Tolstoy’s own love of nature, while bringing Anna’s propulsive spirit to life with apparent ease. Ultimately, her performance makes all 35 hours and 35 minutes of this listen fly by like a moving train that is totally worth the journey.

Editor Kat, The Stand, 47 hrs 47 mins:

How to be pithy about something so epic? The Stand was the novel that made me love Stephen King, after years of being merely terrified by him, when I read it at 13. (It was, even in paperback, an absolute unit: a badge of adulthood I toted proudly all summer; longer than any other book I would read as an actual adult.) As I listened to the audio version this winter, I found myself helplessly sucked in yet again as King vividly depicts how the gnarly superflu Captain Trips spreads and shuts down society within weeks. Sure, it’s long, but here length is a luxury. King gives his band of survivors time to grow as characters, and to dawdle on harrowing scenes and unforgettable stray details: those who die, amid the chaos of superflu, of other causes; the banal artifacts, like Teenage Mutant Ninja Turtles comics, that survive. Grover Gardner’s performance is a luxury too, switching from straightforward to folksy, murderous, romantic, or gleefully gross—this being King, after all. Having spent more than 47 hours with his voice (by the way, I listened at x1.2 speed 💪), I can think of no one better to take the reins of this towering saga. M-O-O-N, that spells I forever stan The Stand.

Editor Melissa, Oathbringer, 55 hrs 24 mins:

I'm a simple lady: When I see a new Sanderson, I one-click that title into my Library, baby. But I'll admit that I didn't always feel this way about Brandon Sanderson. I fell in love with his books in high school, but years later, when I tried to pick up the first two installments of his Stormlight Archive series, they were daunting bricks to look at. I bought them in print and tried to start them multiple times before I stalled out. They felt like too much work, and I started to think I didn't love his books as much as I used to. But then. Then, my friends, I decided to give it one final go in audio, and that was when the magic kicked in. Kate Reading and Michael Kramer made the story melt away with their narration. Listening to something complicated and pronunciation-heavy makes all the difference because it takes the work off you, and you can become absorbed in the plot much faster without having to worry about keeping all the details in your head. I listened to all three books in a straight shot, so all told it was 148 hours and 47 minutes of listening, but wow, it did not feel that long at all. Listening to this series made me realize that as long as the story is good, it's never too long. Next up: Rhythm of War, which is coming out in November!

Editor Yvonne, David Suchet Audio Bible, 83 hrs 14 mins:

Poirot narrating the Bible? Could it be? No, it can’t be and it isn’t. Instead, it’s the wonderfully talented David Suchet narrating the New International Version, all 83 hours and 14 minutes of it. Suchet, now 78 years old, became a Christian at the age of 40. His recording fulfills a dream—he had always wanted to make an audio recording of the complete Bible. And he does it with great care. His reading has a clarity and elegant simplicity that makes a listener want to listen for, well, hours. I never knew the significance of an audio Bible; it has different meaning for different people beyond its contents. A couple of years ago, I gifted a friend who’s more like a mother figure to me, James Earl Jones Reads The Bible: King James Version. ”When I want to read my Bible, now I can just listen to it,” she said. ”I’m happy.” What she really appreciated is that her failing eyesight would no longer impede her practice of studying Scripture daily. To that I say, “Praise the Lord.”