This dystopian classic examines the idea of a utopia called the World State that is built on science and efficiency, sacrificing individuality, emotions, and even natural human processes like aging. Michael York’s clinical and refined yet occasionally dramatic narrative delivery underscores author Aldous Huxley’s warning about how efficiency can desensitize and a government can leverage social channels to control its citizens. Brave New World is, at times, more philosophical treatise or spirited debate than plot-driven fiction; as Huxley uses his characters to argue morality, York keeps up a relentless pace and distinctive voices that make every exchange seem realistic. The heady nature of Brave New World makes it an excellent gateway into dystopian fiction and its themes, and York’s expert performance makes the selection more accessible than ever.

Suzanne Collins’s best selling title kicks off her trilogy where North America as we know it has given way to Panem, a nation with twelve districts of varying wealth and one beautiful, super-rich Capitol. The annual competition to which all districts send two teens—one boy and one girl—to "play" is the titular The Hunger Games. It’s broadcast on live TV, and isn’t a game at all, but rather a hellish fight to the death designed by the Capitol to keep the districts in line. We meet our protagonist, Katniss Everdeen, as she impulsively volunteers to participate in the lethal event in place of the original chosen competitor: her younger sister. Emmy Award-winner Tatiana Maslany narrates, and her solemn but still youthful voice for Katniss helps express the heaviness and depth of Collins’s work without being unbelievable. Her performance elevates the already excellent story of survival, morality, and love to an unforgettable level.

The Giver is a bonafide classic—a staple of any elementary school library whose simple, stunning message still resonates. With a voice equally capable of playing young protagonist Jonah as well as the wise and cryptic old man called "the Giver," narrator Ron Rifkin delivers an emotive performance that has a slightly rough quality, adding to the nostalgic feel of this title. At just under five hours, this audiobook offers a taught, poignant story of a world where residents see in black and white, adhere to a strict set of rules, and receive life assignments determined by the Elders at age 12. Jonah is 12 when listeners meet him, and when he’s chosen for a special life assignment and meets the Giver, Jonah’s perception of his world expands along with ours.

Five factions dedicated to different virtues make up dystopian Chicago in Veronica Roth’s best selling Divergent, the first title in the series by the same name. Beatrice Prior is born a member of the Abnegation community, whose virtue is selflessness. But when she turns 16, she must undergo an aptitude test of sorts that all children take to determine whether they will transfer to one of the others—Candor (honesty), Dauntless (bravery), Amity (peacefulness), or Erudite (intelligence). Beatrice’s test instead reveals something deemed impossible that threatens the very fabric of the society around her. Emma Galvin’s narrative performance is first-rate; as Beatrice (who renames herself Tris) finds her footing in a new life (and a new romance with an enigmatic ally), Galvin captures the tension and fear behind her early inner monologues perfectly. As the story progresses and Tris becomes more confident, Galvin’s subtle vocal changes mirror Tris’s certainly and courage.

Octavia E. Butler’s Parable of the Sower is an exceptional story of an imagined near-future where groups of downtrodden citizens travel an America whose ineffectual government has given way to harrowing conditions and vigilante justice. Narrator Lynne Thigpen lends ponderance and poise to the young Lauren Olamina, a teen who is lucky enough to live in an armed, walled neighborhood near a major city, and who has been blessed with clarity and resolve in these dark times. As Lauren solidifies her new philosophy and vision for the world she hopes to build, Thigpen’s poetic, meandering style echoes Lauren’s reflections. Parable of the Sower is powerful in its simplicity and in its emotional precision; listeners will quickly understand how it won the coveted Nebula Award, and how Octavia E. Butler became one of the most acclaimed dystopian science fiction authors of all time.

Simon Prebble’s narration of this dystopian must-listen is bone-chilling—perfect in its eeriness. The way he lends animation and emotion to a title so concerned with the stripping away of all markers of humanity is a smart choice that makes listening to 1984 a one-of-a-kind experience. His depiction of Winston Smith—whose life, like everyone’s, is utterly controlled by a party who calls itself Big Brother—as a lonely, desperately human man struggling for meaning is touching and lasting. Winston’s job is to rewrite history to make the party line appear consistent, and he finds himself in grave danger when he begins to question the omniscience of the party. Big Brother knows his thoughts, analyzes his facial expressions, and constructs his reality, all while expecting him to rejoice in those facts. As Winston attempts to hide his true feelings, he realizes just what it truly means when they say that Big Brother is always watching.

This subtly haunting selection is indicative of the mysterious, slow-burning style of Nobel Prize winning Kazuo Ishiguro. No spoilers here, but it’s safe to say that the reason for Never Let Me Go's dystopian categorization remains a mystery for much of its playing time. Told in the first person perspective, all listeners know at the start is that protagonist Kathy is a "carer" who was once a student at a boarding school named Hailsham. Narrator Rosalyn Landor’s ponderous, careful tone mimics not only Kathy’s own timidity and reflection, but also the way Ishiguro reveals plot details step by careful step. Listeners are dropped into Kathy’s life, where she recounts stories of places and activities she expects us to be familiar with, but aren’t at the beginning of the story; as listeners follow her often spiraling reminiscences of love, friendship, and innocence lost, we catch glimpses of a melancholy we can’t quite explain, and of things not being quite right.

Nadsat, the invented slang of A Clockwork Orange that is so central to knowing its main character and exploring this selection’s message, is even more impactful and transcendent in audiobook form. As narrator Tom Hollander delivers the brutal, sharp words, he changes his vocal tone and volume to bring the shockingly violent and nightmarish Alex to life. Hollander’s cockney accent is believable and entertaining, adding surprising comedy to the lighter moments of the story. As a whole, A Clockwork Orange is a shocking title that explores the nature of good and evil, free will, and the possibility (or impossibility) of redemption in a society where criminals take over after the sun goes down. It’s lyrical, philosophical, frightening, and thought-provoking—a perfectly engrossing listen to digest on long car rides or flights.

Fahrenheit 451 takes place in a world where the government rules via the television, books are contraband, and the job of our fireman protagonist, Guy, is to burn them all, along with the houses of people who own them. Guy begins to question his life when his wife—who he never suspected was unhappy—attempts suicide, and his neighbor disappears after revealing details about the past contradictory to his current reality. He soon finds himself on the run from the government he so dedicatedly served. This version of Bradbury’s internationally acclaimed title is performed by actor Tim Robbins, best known for his portrayal of Andy Dufresne in The Shawshank Redemption, and the compelling, full timbre of his voice perfectly suits Bradbury’s direct and concise prose. The combination of Robbins and Bradbury makes for a captivating, thrilling listening experience.

Brought to you by Penguin.

Shortlisted for Audiobook of the Year at the British Book Awards 2020.

Winner of Best Audiobook (Fiction) at the New York Festival Radio Awards 2020.

Read by Elisabeth Moss, star of the hit Channel 4 TV series.

Go back to where it all began with the dystopian novel behind the award-winning TV series.

I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.

Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction