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Janice Weber grew up in Ridgewood, New Jersey and graduated summa cum laude from the Eastman School of Music in Rochester, New York.
At the time of her Carnegie Recital Hall debut at age nine, she was writing her first short stories. She has continued both pursuits, with her novels providing counterpoint to the staid world of a concert pianist, or perhaps with her recitals offsetting the staid world of a writer. She lives in Boston with her husband.
An active soloist and chamber musician, she has performed at the White House, Carnegie Hall (the big one), Symphony Hall Boston, Wigmore Hall London, and major venues in the U.S., Europe, and Asia. Her eclectic recordings include the complete Rachmaninoff transcriptions, Messiaen’s “Quartet for the End of Time”, a disc of Leo Ornstein’s revolutionary piano works, and Liszt’s 1838 version of the Transcendental Etudes. Her most recent disc, “Cascade of Roses”, has a “rose” in each track, with rare appearances of Billy Mayerl’s dazzling “Evening Primrose” and Ernest de Regge’s “Variations on “The Last Rose of Summer”.
Her novels happen between (and occasionally during) concerts. Music on some level infiltrates almost every book: Eva Hathaway writes hymns between trysts, Floyd Beck met the love of his life at Carnegie Hall, Leslie Frost is a concert violinist, and Ross Major listens to Beethoven when the going gets rough. Characters without music in their lives fill the void with swinging, murder, and treason, activities musicians tend to eschew since this would detract from practice time.
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